“Monti Amundson is sincere and flawless with an expressive voice and an authentic and heartfelt presence. - Freeway Magazine, France

“A colossal vocalist, a superb guitarist, Monti left every single person in a state of shock - it was unbelievable! If you’ve heard the word then you know the big man is a must see.”- Gazette Des Gazzelles, France

“We've heard the future of blues and his name is Monti Amundson.” - Music and Media, Germany

“Drawing energy from the crowd, Monti Amundson's battery charges throughout the night, consistantly throttling blues in true break-neck speed. This guy is going places.” - Joey Scruggs, Bluesnotes, USA

“Monti Amundson plays with a power and commitment that can't be matched. Playing a Stratocaster through a 1959 Fender Bassman amp in a clean and cutting tone, he's a blistering guitarist. The real deal, a no frills rock n' roller.” - Richard Glauber, What's Happening, USA

“One of the standout shows came from Monti Amundson. Blues traditionalists may challenge these guys as blues artists, but nobody can challenge the talent and energy of axeman Monti Amundson. His on-stage charisma and lightning-quick guitar work had the crowd rockin' from start to finish. A tight schedule meant no encores, but the shouts of 'Monti, Monti' reverberated through the crowd well into Boozoo Chavis' set on the opposite stage. Truly electrifying!” - Mike Cronin, Nashville Bluesletter, USA

“Its not easy to make a Fender Stratocaster squawk and squall the way Monti Amundson does.

The Stratocaster, after all, was designed in 1954 to be the ultimate country-western guitar, so it is not surprising that it demands a special player to turn its deficits into the glassy grind that suffuses Amundsons shows and albums such as “Prove Me Wrong.”
In the wrong hands, a Strat can be downright wonky and unbiddable. But a player who knows how to harness its idiosyncrasies, how to push the guitar, will find an astonishingly rich sonic palette. Not a Gibsons dark, smooth midrangey voice, but cascading octaves of harmonics and a whiplike, edgy intensity that makes lesser guitars sound as if they brought salad forks to a knife fight. I have seen it happen -- I have handed Amundson a 1962 Strat I thought I knew fairly well. Wrong. Amundson took that guitar and made it sound better than it ever had. He squeezed out roars and screams, tickled out harmonics and Hendrixian echoes that had been hitherto hidden in its swamp-ash carcass. The guys who can really do that are few: Jimi Hendrix, Jeff Beck and Stevie Ray Vaughan head the list. Amundsons name may not be found on the same line as those, but the sheer intensity of his playing argues eloquently for his inclusion on the same page.

If you haven't heard him in concert, you can spin up albums such as “Prove Me Wrong”, “Straight Out!” or “Big Monti”, although they can only hint at the effect of hearing “99 Below” at 120 db though a red-lit haze of cigarette smoke and beer fumes. But the real measure of Monti's particular genius can be found on his acoustic stuff --- albums such as “I See Trouble” or tunes such as “Calculatin' Woman”. Even in an acoustic format, Monti's sound is immediately recognizeable by the sparks he strikes, by it's sheer electricity, by the raw-nerve honesty of his singing. That's a little something they call style, and it's not something you learn in books or by grimacing in front of the mirror. Monti has got it --- is as true a rocker as ever tore up a stage. That makes all this talk about searing Strat tones ultimately superfluous, the wishful thinking of people who --- if they just had the right guitar --- could rock as hard and soulfully as Monti Amundson. Never happen. That fire burns from the inside.” - Jon Foyston, The Oregonian, USA

“Great guitar work, amazing vocals, and some good blues harp too. “Four in the Morning,” is a standout slow blues cut, worth the price of a CD by itself. Fans of the great Rory Gallagher, SRV, Nine Below Zero, Walter Trout ... Monti is a must have addition to your collection.” - Amazon Online Reviewer